The Clashs 'London Calling' album cover is an iconic image as it completely sums up the genre of music. It expresses the complete madness and anarchy that surrounded the band. The album's front cover features a photograph of bassist Paul Simonon smashing his Fender Precision Bass against the stage at The Palladium in New York City on 21 September 1979. Pennie Smith, who photographed the band for the album, originally did not want the photograph to be used. She thought that it was too out of focus, but Strummer and graphic designer Ray Lowry thought it would make a good album cover. In 2002, Smith's photograph was named the best rock and roll photograph of all time by Q magazine, commenting that "it captures the ultimate rock'n'roll moment – total loss of control".
The Iconic 'Dark side of the moon' album cover is partially inspired by Pink Floyds use of many lights during live performances. The design is 'simple and bold' as requested from the band when deciding on a design for the cover. The design reflects the bands simplistic style.
This album cover is a great representation of the music that Everything everything play. The cover looks as though like a glitchy TV screen that has broken. Everything everythings songs are very jolty and sound quite broken and glitchy. Everything Everything singer Jonathan Higgs is quoted as saying: “We’re not really interested in copying certain genres or anything, so I guess you’d say it’s unpredictable and sort of surprising.”
Billy Talents album covers always feature strong, bold colours, often red, black and yellow, with a powerful image that represents their style of music.
The mysterious, epic style of Imagine Dragons music can be seen in their album cover that features a misty scene of a person standing on some god-like structures.
I have looked at the current album cover for the album which features 'Grounds for divorce' but I can't really get a sense of what it is trying to say if it is at all. All of elbows album covers feature some hand rendered styled drawing. This album features similar colours to those used in the music video for the song. Browns, blacks, and whites.
This album covers designer, 'Strom Thorgerson', said 'In thinking that the music was strong-minded yet lyrical persuaded us to think of material flapping in the wind like flags - the flags of a revolution. Not little flags or small bits of fabric, but enormous flags the size of a modest office block, which we affixed to a scaffold tower on top of a hill on a windy day. The sound of the undulating material was affecting, let alone the bizarre shapes. The actual cover used red and blue flags to represent the sexes'.
The cover is a very strong image and I believe gives a great visual interpretation of the type of music that is played by Biffy Clyro, which is a mixture of powerful, loud choruses, and calm, peaceful melodies. The loud, strong and powerful nature of their choruses is shown through the huge scale of the flags and the contrast between red and blue express the ongoing theme of good and evil throughout their songs.